If you really want to understand the dynamics of Europe today, you could do a lot worse than to watch the Eurovision song contest.
The really interesting thing isn't that the majority of nations favor derivative, becostumed hard rock (everyone except the first-time-in-Eurovision Armenians, in my admittedly drunken and distracted tally, voted for the Finnish goblin band
Lordi), but the way that intra-European dynamics play out (not to mention the fact that this is a Europe that includes Armenia, Turkey, and Israel). The accuracy with which a European audience predicts, for example that Germay's top vote (Germany, incidentally, fielded a country-western combo complete with bolo ties and banjo) will be Turkey (due to it immigrant population), or that Finland, even if it hadn't actually been awesome, shares both the Scandinavian and Baltic votes, could teach the average American a lot about the fallacy of Europe as a hegemonic entity. The ways in which blatantly American musical forms (not only the Germans, but also the Danes, employed country, and nations as divergent as Moldavia and the U.K. explored rap) were mined was also worth a seminar paper, as, I think, was the fact that almost every single country's voting representatives spoke English (truly, the only exceptions
I noticed were France and Andorra). All in all, one got the impression that there was a globalization taking place that was both inspired by the United States and yet made the United States completely irrelevant. It was really quite thought provoking. As well as cheesy and absurdly fun.